Learn To Sing With Vocal Release

        "Learn To Sing High Notes, With Power, As Easily As You Speak.... Guaranteed."....As Easily As You HUM...Guaranteed. See My Other Guarantees Hi I'm a sixteen year old male classical and r&b singer and when my voice broke I was quite devastated and was worried I wouldn't be able to get my range back. Well thanks to your vocal release system. I have got the top of my range back and I have more power due to the breathing exercises you have in your system. I'm a natural baritone now and already had quite a wide range, but wasn't satisfied. I can hit lower than a bass E and had to hit my Tenor high C in falsetto now I can hit it and higher, easily in mixed-head voice and more powerfully in falsetto than I used to. I used to have a 3 1/2 octave range and now I'm over 4. Thank you sooo much....( After I e-mailed him to ask if I could use his e-mail on this page this was his reply)....You certainly may use my e-mail, as a testimonial. And, I also wanted to tell you that my chords have become extremely flexible now so I've been able to develop a whistle voice. I t still needs work but it will be good enough soon. I've been on your program FOR ONLY A MONTH NOW. Thanks again. Kofi Hayford From: Eric Frey, Professional Vocal Coach And Author of Vocal Release. Picture yourself a year from now, singing with a voice that stuns listeners. What if I told you that it was not only possible, but that it was guaranteed if you will purchase the, "Vocal Release At Home Singing Instruction Kit," today and follow it's detailed singing instruction? Now, I can almost hear your mind saying, "ya right."   FACT!  Most singers sing with a forced, unnatural vocal production that at some point will cause them to totally lose their voice. There are only three ways to sing or three attacks. The, "attack," is what a singer physically does and thinks on the onset of any sung note. Only one of them is the best and always produces the best sounding voice in any singer. The three attacks are: Diaphragmatic, Glottal, and The Attack Of The Mask. The diaphragmatic attack was invented be a failed opera singer/vocal coach. This attack causes registration and breaks in the voice. It leaves the voice sounding more like shouting or bellowing and strains the voice by overpowering it. Because of this unnatural vocal technique the terms of: chest voice, middle voice and head voice and breaks/bridges came about. Quite simply, when you sing with the right attack registers and breaks don't exist, they are an invention by a bad vocal coach that has been passed down through time. So, you don't need a course that teaches you how to make it over your bridge or mix registers. You need a course that teaches you the best attack, the attack of the mask. That course is Vocal Release. The glottal attack is what's known as, "singing from the throat." It involves sort of coughing motion that causes the vocal cords to zip up. This attack is very dangerous and painful. The only people who really use it are bad rock singers who sound like they are screaming badly with no beauty of tone. The attack of the mask is the best way to sing. End of Story. There can be no argument. It is how nature intended singing to occur. Attacking the voice from the mask makes the voice as easy to use as humming. Any note from lowest bass to the highest soprano notes can be sung by using the attack of the mask. Attacking the voice from the mask eliminates registers and breaks. They simply do not exist when you sing with the attack of the mask. All notes sung are full, round and pleasantly forward. When you watch a great singer and their voice seem to have no ceiling, it comes out effortlessly and the voice seem to resonate forward behind the nose eyes and upper pallet, that is the attack of the mask. Some singers do it naturally by instinct. This is why some people are naturally good singers and some people struggle to sing even half as well. Without singing using the attack of the mask the voice is a struggle to use, breaks up into registers and simply doesn't sound very good. With the attack of the mask even powerful singing is as easy as humming with the mouth open. This is also why some people think you can't learn to sing. Unfortunately most vocal coaches and no other online courses besides Vocal Release, teaches how to learn to use the attack of the mask specifically. Yes, it can be taught. But, you have to learn specific parts of your body to manipulate and exercises to instill proper voice production. The attack of the mask does not just happen by relaxing and singing with an open throat at speech level. The attack of the mask is not, "singing in your head voice," or forcing air through your nose like honking.   Here's the bottom line... EVERYONE can learn to sing beautifully if they follow the natural laws of voice, laid out step by step in the Vocal Release